She eventually realizes how she truly feels and decides to act on it at the end of the play. Although Viola is the play's protagonist, her true name is not spoken by any character—including herself—until the final scene of the play Act 5, scene 1. In the play, we see Viola as a true fulcrum of action in a frenzy of indecision, unrequited love and confusion. Throughout the play, Viola exhibits strength of character, quick wit, and resourcefulness. It was demonstrated by an episode of the meeting with the captain.
Giving it a feminist reading, we see Viola taking charge and being her own agent in a patriarchal society, which is unlike the female characters of her time. For most critics, Viola is one of Shakespeare's most delightful and beloved feminine creations from his comedies. While Viola falls for the Duke Orsino. She comes to the realization that disguising herself as Cesario has caused her more trouble than happiness. It is intriguing how much Shakespeare tells us about the characters of Twelfth Night by the ways they view and trick each other, and indeed themselves. He is quite old a wears dark clothing.
Take away the fool, gentlemen. Bedford became one of the trustees of the school and maintained his connection for 18 years. After Viola denies any knowledge, incredulous Olivia asks the priest to confirm they were married just two hours prior. Miss Margaret James Murray Murray was Washington's third wife. Despite all of the rumpus going on at her home, Olivia refuses all visitors until Orsino sends his new page, the protagonist of the play, , to call on her.
She is so obsessed, that she finds everything about Cesario attractive. Viola makes herself useful to Orsino and is soon made his page. The play tells the tale of how they were eventually reunited. The drama ends as Orsino welcomes Olivia and Sebastian and, gaining his ain attractive force to Cesario, he promises that one time she is dressed as a adult female once more they, excessively, will be married. However, one could read these actions sympathetically and recognize that as a servant Malvolio may simply be practicing qualities that he needs to survive.
Malvolio Olivia's steward, a man who is supposedly good at his job, but is stern and hates merrymaking. He shall conceal it Whiles you are willing it shall come to note, What time we will our celebration keep According to my birth. In the very beginning, we see her in a vulnerable and precarious position, shipwrecked on an unknown island. Her character is definitely one of passionate aggressiveness that has brought her far in Illyria. Shakespeare uses these characteristics to show also how love is not just attraction and can be a wonderful thing. Bicknell Bicknell was the president of the National Educational Association and extended the first invitation Washington received to be a speaker.
The devices used to create humour in this play are word play which is used to confuse characters is, mistaken identity this uses dramatic irony to also entertain the audience as they know that for example Viola is a girl yet Olivia thinks otherwise. Viola's Familial Affection For story purposes, Viola and Sebastian don't share many scenes. Orsino who was in love with Olivia shows that he has fondness for his male retainer Cesario, who is really a female. A Sea-Captain He rescues Viola from drowning, and helps her transform herself into Cesario and become Orsino's page. This masculine identity does not completely conceal some of her feminine characteristics, yet she truly proves herself to be a worthy page of Orsino and acts as his voice of reason. The situation and the character of Viola have been censured for their want of consistency and probability; it is therefore worth while to examine how far this criticism is true. Viola's Wit Viola is a delightful character not because of her physical beauty, she only appears in women's clothes at the very end, but because of her keen wit and verbal reflexes.
Did it ever fail to charm or to interest, to seize on the coldest fancy, to touch the most insensible heart? Although her disguise puts her in an impossible position, she maintains self-control and a quiet dignity that contrast with the over-the-top emotional performances of love and mourning by the other main characters, Orsino and Olivia. Her name itself has musical origin, hence it serves as a sense of compatibility with the whimsical Duke, who believes music to be the food of love. He is a sort of mid-play replacement for Feste, taking part in the plots against Malvolio with Sir Toby and Sir Andrew. Sir Andrew Surname Aguecheek, also not complimentary, but correctly describing his thin, pale face. The mission of Viola is to maintain harmony in this world. Viola tries to imitate her brother in her disguise as Cesario, as the two are mistaken for each other in many scenes.
She must fit the role of Cesario, but still realize that she is herself. Not understanding what the word means, Sir. The scene does not directly affect the main plot of the play, but is very significant in the primary sub-plot. She also prepares us for the entry of Sir. The Duke Orsino, who mopes around his home thinking of Olivia, is not very aggressively passionate.
Maria Olivia's gentlewoman-maid, a witty, wily woman who has some affection for Sir Toby. She might be the one wearing a disguise, yet her conscience is clear and she remains true to herself. Shipwrecked and separated from her twin brother Sebastian, Viola truly becomes a symbol of perseverance and strength. Mackie was the head teacher at Hampton and controlled who would be admitted. She also understood that love could not be forced. Olivia has met and was betrothed to Sebastian.
Secondly, he can say this in an upset way, feeling lousy, because Olivia may have become sick and tired of him and his messengers. Many of these characters were disguised as men, especially Portia. While deception has worked positively for some characters, Malvolio realizes that he has been thoroughly and cruelly tricked. The reason why Orsino send Curio to get Feste is, because he thinks that his songs can relieve his dreadful heartaches, caused by too much love. He gets angered that he is benief them and often takes it out on Maria who is a servant. They had two children together: Baker Taliaferro, who later mastered the brickmason's trade at Tuskegee; and Ernest Davidson Washington, who at the time of the book's publication was studying to be a physician. Malvolio's character is deceived by forged handwriting, disguise, word play and self deception.